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How to Watch New Netflix Show Kaleidoscope

by Mustafa Juma

Are you looking for a new show to watch on Netflix? Look no further than kaleidoscope. This new show is definitely worth your time.

Kaleidoscope is a unique show that will leave you on the edge of your seat. This show is one part detective, one part sci-fi, and two parts mystery. Every episode is filled with twists and turns that will keep you guessing until the very end.

Creator Eric Garcia intended his new Netflix show Kaleidoscope to be something his audience can participate in—and that’s exactly what we got.

The resulting heist drama starring Giancarlo Esposito is an elaborate choose-your-own-adventure story that invites viewers to put the pieces together as they watch the show.

Each episode is titled with a color, rather than a number, which influences the tone and visuals of each part of the story. The episodes are said to be arranged randomly for each viewer, except for the finale, which appears last.

Netflix says that “the order in which [viewers] watch the episodes will affect their viewpoint on the story, the characters, and the questions and answers at the heart of the heist.”

So, there are a lot of potential ways to watch everything unfold, but before you see the series, how would you know?

The episode titled “White” is designed to function as a the finale, revealing the answers to a lot of questions throughout the show.

It is not intended to be in any order except last, because it will spoil some things in other episodes. But it is not the actual ending of the story in the chronological sense. To see things along a linear timeline, the order is as follows:

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“Violet,” “Green,” “Yellow,” “Orange,” “Blue,” “White,” “Red,” “Pink.”

The overall story spans over two decades, so if you were to get the exact dates of each episode, they are:

Violet: 24 years before

Green: 7 years before

Yellow: 6 weeks before

Orange: 3 weeks before

Blue: 5 days before

White: present (the heist)

Red: 1 day after

Pink: 6 months after.

Again, this is not how Eric Garcia wants people to watch the show. It might, though, be a satisfying way to review the show if you’ve already gone through it another way.

There are a lot of moving pieces, so one final review in chronological order will probably clear up some things that you didn’t catch on the first viewing.

Be random as hell.

Some Redditors have said that logging into Netflix on different devices has presented the order of the episodes to them differently.

It still generally suggests “White” last, the episode that shows the heist itself and everything that goes wrong. Go with whatever the algorithm offers and see what happens.

Another option is to just hit random episodes for yourself and experiment. The possible downside of this is that you might end up watching an episode and not really know (or care about) who anyone is.

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Part of watching a show is getting familiar with character dynamics, their background and motives, and why what they’re doing matters, so jumping in at the highest stakes moment could feel anti-climatic.

However, these characters are all played by very engaging actors and the set pieces will suck you in to wonder what happens next.

Go heist first.

Starting with “White” and watching the heist first is exactly the kind of problem described above. Viewers will suddenly be dumped into the culmination of all the plotting and planning and not know who is who and what is what.

It might make you inclined to investigate.

Similarly, “Red” shows the immediate aftermath of the heist and could offer many of the same mysteries to unravel without spoiling what happens at heist time.

Try rainbow order.

Watching the episodes in the ROYGBIV order seems like it might unlock some secret way to enjoy the series, except there’s no “Indigo” episode. Sub in “White” there and see what happens. Or sub in “Pink” and never watch the heist episode at all.

Starting with “Red” means starting with the moment of extreme crisis, then “Orange” downshifts into heist planning stages. This order will definitely jump around the highs and lows.

Watch it in reverse.

That would mean: “Pink,” “Red,” “White,” “Blue,” “Orange,” “Yellow,” “Green,” “Violet.”

Starting with “Pink” means seeing where everyone ends up and then going back through to how they got there. If you want to honor Garcia’s vision, you can still save “White” for last, or put it back where it belongs chronologically after “Red.”

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This lets characters age in reverse, come back to life, and arrive at the moment that sets them off in the wrong (or right) direction.

Start with the heist coming together.

The story centers around a man who is trying to get revenge on his former crime partner, and that set-up is covered in “Violet.”

All that background adds a lot of context for why the heist is happening, but it might be more fun to start with just the group being assembled, like in classic heist film Ocean’s 11.

In that case, start with “Yellow,” where Leo (Esposito) brings together cast Paz Vega, Rosaline Elbay, Peter Mark Kendall, and Jordan Mendoza. That way you can watch the rest of the show with some idea of who everyone is and their relationship to one another.

Then going back to “Violet” and “Green” will give more context or can be sprinkled in when you feel ready to know more about Leo and why he’s so determined to break into these particular vaults.

The ending of every episode in Kaleidoscope is very creative. The show makes the closing credits almost feel like a missing scene from a movie.

Sometimes they’re full of clues about what’s going to happen next and sometimes they’re just some cool visual moments. My favorites were the ones that give a glimpse of the overall mythology of the show.

You can skip most of the credits if you want to see a glimpse of what’s to come next or just go straight through to see the final seconds of the show.

At the end of each episode there’s a special moment that I like to call the “Spotlight Moment.” It’s almost like a mini-climax that follows the lead up of the episode, though it’s technically still part of the plot.

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